author:Melion, Walter S. | カーリル

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Reading Images from the Past: In Honour of Karl A.E. Enenkel (Intersections)

Melion, Walter S／Pieper, Christoph／Smith, Paul J／Traninger, Anita

Motus Mixti Et Compositi: the Portrayal of Mixed and Compound Emotions in the Visual and Literary Arts of Europe, 1500–1700 (Intersections, 90)

Melion, Walter S.／Enenkel, Karl A. E.

Customised Books in Early Modern Europe and the Americas, 1400–1700 (Intersections, 86)

Fletcher, Christopher D.／Melion, Walter S.

Karel Van Mander and His Foundation of the Noble, Free Art of Painting: First English Translation, With Introduction and Commentary (Brill’s Studies on Art, Art History, and Intellectual History, 62)

Melion, Walter S.

Quid est secretum?: Visual Representation of Secrets in Early Modern Europe, 1500-1700 (Intersections, 65/2)

Dekoninck, Ralph／Guiderdoni, Agns／Melion, Walter S.

Ut Pictura Amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 (Intersections, 48)

Melion, Walter S.／Woodall, Joanna／Zell, Michael

Image and Incarnation: The Early Modern Doctrine of the Pictorial Image (Intersections, 39)

Melion, Walter S.／Wandel, Lee Palmer

The Anthropomorphic Lens: Anthropomorphism, Microcosmism and Analogy in Early Modern Thought and Visual Arts (Intersections: Interdisciplinary Studies in Early Modern Culture, 34)

Melion, Walter S.／Rothstein, Bret／Weemans, Michel

Annotations and Meditations on the Gospels: The Infancy Narratives

Nadal, Geronimo／Homann, Frederick A.／Melion, Walter S.／Homann, Frederick A.／Nadal, Jerome

Personification : embodying meaning and emotion

edited by Walter S. Melion and Bart Ramakers

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