目次
Music criticism, speech acts, and generic contracts
Barnun et les Romaine : critique, claque et réclame dans les 'Soirées de l'orchestre' d'Hector Berloiz
A critic's progress : Émile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the 'Revue et Gazette musicale de Paris'
London's Italian opera as a topic of interest to international nineteenth-century music criticism
Speaking for whom? using opera reviews from Strasbourge (1887-1918) to clarify the problematical source character of music criticism
Graphic humour as musical criticism : cartoon and caricature in the first Wagnerian reception in Madrid
The music in the theatres of Rio de Janiero (1890-1900) : concert series, music critcism and conflicting cultural projects in the early years of the republic
The power of music criticism in the shaping of modern Uruguay: an analysis of the newspaper 'Montevideo Musical'
The cultural biography of a musical periodical : 'Boletín Musical' (Buenos Aires, 1837)
Nativist rhetoric in the opera journalism on Antebellum New York City
1813, Vienna, and a re-print of the 'AmZ' : notes on intertexuality in German music media around 1800
The string quartet in early nineteenth-century performance and criticism
Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx
"La musica non imita e non esprime che lo stesso sentimento in persona" : per una (mancata) teoria musicale leopardiana
Fallen angels of music : subjectivity inearly 19th-century philosophy and the reception of virtuosity in contemporary music criticism
'Absolute' philosophy? gender, nationalism, and Jewishness in Eduard Hanslick's formalism
Manuel de Falla at war : on race, sound, and new music
"Les plaisirs de l'imagination sont les seuls réels" : Gétry's writings and the expansion of critical thought at the beginning of the nineteenth century
Composer-critic and "Intimitable creators" : E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera
Critical responses to nineteenth-century music criticism : Johanna Kinkel's 'Trinkleider' and her later lieder collections
Richard Wagner et 'La Reine de Chypre de Fromental Halévy (Paris, 1841) : la critique musicale comme réflexion esthétique capitale
Richard Wagners offener brief über Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde'
