目次
I Nature, Culture, Aesthetic. ‘Vocal' Music in the Symphonic Context: From ‘Titan', eine Tondichtung in Symphonieform to Das Lied von der Erde, or the Road ‘Less Traveled'
Mahler and the Idea of Nature
Mahler the Thinker: The Books of the Alma Mahler-Werfel Collection
Mahler's Untimely Modernism
II Reception: The Jewish and Eastern European Questions. Jewish Identity and Anti-Semitic Critique in the Austro-German Reception of Mahler, 1900–1945
Gustav Mahler's Musical Jewishness
III Analytical Approaches. Multi-Stage Exposition in Mahler's Symphonies
Form in the First Movement of Mahler's Fifth Symphony
The First Movement of Mahler's Das Lied von der Erde: Genre, Moderato of Mahler's Sixth Symphony
‘Ways of Telling' in Mahler's Music: The Third Symphony as Narrative Text
IV Mahler in Performance. Mahler's First Season as Director at the k.k. Hofoperntheater: The Composer Waits in the Wings
Mahler on Record: The Spirit or the Letter?
Adagietto: ‘From Mahler with Love'
‘Progress' and ‘Tradition': Mahler's Revisions and Changing Performance Practice Conventions/ Reinhold Kubik
V Sketches, Editions and ‘Performing Versions'. Re-evaluating the Sources of Mahler's Music
Unfinished Works of Mahler: The Scherzo in C minor, the Presto in F major, the Tenth Symphony and Comparative Arguments for ‘Performing Versions'
Mahler's Tenth Symphony: Rediscovered Manuscript Pages, Chronology, Influences and ‘Performing Versions'
